God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and America's Pathological Obsession with Fame • Cinephilia & Beyond

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Last updated 28 maio 2024
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
By Tim Pelan In this age of television wannabes and quick fix celebs, it is fitting to look back at The King of Comedy, Martin Scorsese’s dark comedy of squirming embarrassment—a prescient examination of the modern age’s obsession with fame, and a film he himself acknowledges as a sequel of sorts to Taxi
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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